ERNEST JOLICOEUR
EDUCATION
1992 Yale School of Art, New Haven, CT, MFA
1990 Rhode Island College, Providence, RI, BFA
EXHIBITIONS
2015
Nor’easter, New Britain Museum of American Art, New Britain, Ct
2014
Something Blue, Artspace, New Haven, CT
Transcendent Landscapes, Drive-By Projects, Boston, MA
50 Years, Bristol Art Museum, Bristol, RI
2014 RISCA Fellowship, Pawtucket Arts Collaborative Gallery, Pawtucket, RI
2013
Locally Made, RISD Museum, Providence, RI
PVD: TLA, Studio 1504, Abu Dhabi
2013 RISCA Fellowship Exhibit, Jamestown Arts Center, Jamestown, RI
2012
Transplace, Roger Williams University, Bristol, RI
Color Go Lightly...A Homage to Color, Gallery Valentine, Bridgehampton, NY,
2011
Boston Drawing Project, Carroll and Sons, Boston, MA
Among the Breakage: New Painting from Providence, David Winton Bell Gallery, Brown University, Providence, RI
2011 Faculty Exhibit, Dorrance H. Hamilton Gallery, Newport, RI
2010
Faculty Exhibition, Rhode Island College, Providence, RI
2009
Two Sculptors and a Painter, RI College, Providence, RI
Visual Aids Benefit, Metro Pictures, New York, NY
2008
Regin Igloria & Ernest Jolicoeur, Williams Proctor Institute of Art, Utica, NY
Ernest Jolicoeur: New Work, The Chazan Gallery at Wheeler, Providence, RI
2006
Then and Now, Bannister Gallery, RI College, Providence, RI
2005
Faculty Exhibition, Community College of RI, Warwick, RI
2004
The Ludovico Treatment, Mullerdechiara Gallery, Berlin, Germany
Pantone, Massimo Audiello, NY, curated by David Hunt
MACO, Mexico City, with Mullerdechiara Gallery, Berlin
2003
Anywhere But Here, Jeff Bailey Gallery, NY
Abstract per se, Red Dot, NY
2001
Running in Flip Flops, Feature Inc., NY
Galerie m du B, F, H & g, Montreal, Canada, Feature Inc., NY
Jello, Frederieke Taylor Gallery, NY, curated by Max Henry
New New York, Eastern CT State University, Willimantic, CT
2000
Greater New York, MoMA PS1, Long Island City, NY
Aintings and Rawings, Feature Inc., NY
1999
Summer, Kagan Martos Gallery, NY
Size Matters, Gale Gates et al., Brooklyn, NY
1998
Everaftermath, Silverstein Gallery, NY
GlyphRiff, Stefanelli Exhibition Space, NY
Olga Adelantado, Ernest Jolicoeur, Elga Wimmer Gallery, NY
1997
Rumbleseat, Silverstein Gallery, NY (solo)
University of NC at Pembroke, Pembroke, NC
Prosthetic Garden, Silverstein Gallery, NY
1996
White Columns, Green Hill Center for NC Art, Greensboro, NC
Art/Ex Gallery, Stamford Museum, Stamford, CT
Art Alumni Exhibition, Bannister Gallery, RI College, Providence, RI
1995
Thomas Barry Fine Arts, Minneapolis, MN
Accor, Paris, France
Faculty Exhibition, Bell Gallery, Coker College, Hartsville, SC
1994
479 Gallery, Philadelphia, PA
American Drawing Biennial IV, Muscarelle Museum of Art, Williamsburg, VA
1993
North/South, Centro Colombo Americano, Bogota, Bucaramanga, Colombia
1992
A Quiet Invasion, Lorraine Kessler Gallery, Poughkeepsie, NY
M.F.A. Thesis Exhibition, A&A Gallery, Yale University, New Haven, CT
1991
Faculty Exhibition, Yale Summer School of Art and Music, Norfolk, CT
1990
Partners of the Americas: RI/Sergipe Visual Arts Exchange, Centro de Artes
PUBLIC COLLECTIONS
Rhode Island School of Design Museum, Providence, RI
New Britain Museum of American Art, New Britain, CT
PUBLIC COLLECTIONS
Rhode Island School of Design Museum, Providence, RI
New Britain Museum of American Art, New Britain, CT
1970 born in Miami
lives and works in New York
Solo exhibitions
2013
In Remembrance, The Clocktower Gallery, New York
2012
I Must Not Stop To Rest Here, SCHMIDT & HANDRUP, Cologne
20th Century Remix – Migros Meets Museion, Museion, Bolzano
2010
In Remembrance, Galleria Fonti, Naples
2008
Ghost Polaroid Graveyard, Forgotten Bar, Berlin
2007
Immitation of Life, Art Statement, Basel
2006
For I was Like One Dead …., Jousse Entreprise, Paris
Ceremonies of Consummation, Peres Projects, Los Angeles
2005
I Feel Love, Galleria Fonti, Naples
2004
Evolution is Extinct, Daniel Reich, New York
2002
Dream Machine, Daniel Reich, New York
Group exhibitions
2016 Language of the Birds, 80WSE Gallery
2014 Listen up! New Delhi
2013 On Looking, Kunsthalle Galapagos, New York
2012
Temporary Autonomous Zone, Galerie Lisa Ruyter, Vienna
Cosmic Laughter, timewave zero…? Ursula Blickle Foundation, Kraichtal-Unteröwisheim
2011
The World of Gimmel – how to make Objects talk, Kunsthaus, Graz
You Are Free, Kunsthalle Exnergasse, Vienna
In Remembrance, Babylon Kino, Berlin
2010
You are Free, Tape Gallery, Berlin
While Bodies get mirrored, Migros Museum für Gegenwartskunst, Zurich
2008
Black Maria, Institut im Glas Pavillon, Berlin
Arts and Entrepreneurship, The 4th Way, Dubai, NY, Berlin, Moscow, Geneva, Milano
Auslaender in Berlin, Critic Gallery, Brescia
Imaginary Reality, Max Wigram Gallery, London
Einkaufsliste eines Kammerjägers, Institut im Glaspavillon, Berlin
Gravity al Museo Artium, Vitoria
2007
Cosmic Dreams, Centro Cultural Andratx, Mallorca
Out of Art, Centre PasquArt, Biel
Wrong Number, Jack Hanley Gallery, San Francisco
Palisadenparenchym, Danese Gallery, New York
2006
Panic Room, Deste Foundation Center for Contemporary Art, Athens
Music is a better noise, MoMA P.S.1, New York
Contemporary Signs, Madre Museum, Naples
Big City Lab, Art Forum Berlin
While Interwoven Echoes Drip into A…, Migros Museum, Zurich
2005
My Way, The Road Less Travelled, Jousse Entreprise, Paris
In Practice Projects, The Sculpture Center, New York
The S-Files, Museo del Barrio, New York
No Ordinary Sanctity, Kunstraum Deutsche Bank, Salzburg
2004
Tapestry from an Asteroid, Golinko/Kordansky Gallery, Los Angeles
One thing better than another thing?, Galerie Aurel Scheibler, Cologne
Germany Cakewalk, Ambrosino Gallery, Miami
Open Space 2, Gavin Brown’s Enterprise at Passerby, New York
Domestic Porn, Foksal Gallery Foundation, Warsaw
Socle Du Monde Bienneal, Herning Kunstmuseum, Herning
2003
My People Were Fair, Team Gallery, New York
The Birdman Returns, D’Amelio Terras, New York
Brewster 2003, Brewster, New York
Karaoke Death Machine, Daniel Reich Gallery, New York
Camp Cult, Scope Art Fair, New York
Legende, Filmhaus Kino Köln, Cologne
2002
The Bathroom Show, Daniel Reich, New York
Come On, Peacock Hill, Fleischman’s, New York
Ecstatic, Elemental, Electroacoustic, Daniel Reich, New York
2001
Circus! Circus! Barbacka Konsthall, Barbacka
1999
Too Wide Enough, Swiss Institute, New York
Performances
2015
Northside Festival, New York
The Juan Mclean + Special Guests, Cameo Gallery, New York
In Remembrance, MoMA PS1. New York (with Georgia Malory & Heathered Pearls)
2007
Delia Gonzalez and Gavin Russom w/ The Joshua Light Show, The Kitchen, NY
2006
Delia and Gavin, Centre Georges Pompidou, Paris
2005
Inventeurs d’instruments, Centre Georges Pompidou, Paris
Casual Friday, Hamburger Kunstverein, Hamburg
2004
Casual Friday, Super Deluxe, Tokyo
Let Us Break it Down for You, Kunsthalle Zurich
Crystal Swans, Two for the Road, Come on, Eurotard Live Tour, Public, Paris, Kunsthalle Basel,Galerie Aurel Scheibler, Cologne, Kunstfabrik Berlin, Foksal Gallery Foundation, Warsaw, Participant Inc. New York, Gavin Brown’s Enterprise, New York
2002
Les Vampires Nues, Laboratoire D’Aubervilliers, Paris
2001
Mythological Counseling, Christie’s, New York
M.I.M.E, Gavin Brown’s Enterprise, New York
1999
NY Society for Attachment and Fondness, Gavin Brown’s Enterprise, NYC
1998
Fancy Pantz, Gramercy International Art Fair, New York
(b. 1977, Oklahoma City, OK)
Lives and works in Brooklyn.
Solo exhibitions include: Title TBA, Braverman Gallery, Tel-Aviv, Israel(2017); Title TBA, Henry Art Gallery curated by Nina Bozicnik, University of Washington, Seattle, WA(2017); Title TBA, Trois Gallery, Savannah College of Art and Design, Atlanta, GA(2017); NADA NY, solo booth project, presented by Fridman Gallery, NY, NY(2016); Pry the Lid Off, Oklahoma Contemporary, Oklahoma City, Ok(2016); Walk-In Pantry, Fridman Gallery, NY, NY(2015);NADA NY, solo booth presented by Samson Gallery, NY, NY(2014).
Group exhibitions include: Braverman Gallery, Tel Aviv, Israel(2017); ZonaMACO with Braverman Gallery, Mexico City, D.F., Mexico(2017); Dallas Art Fair with Fridman Gallery, Dallas TX, Untitled with De Chiara Projects, Miami, FL(2016); Crossroads with Y Gallery, London, UK(2016); We Run Things, Y Gallery, NY, NY(2016). Common Thread, Mixed Greens, NY, NY(2015). More Material curated by Duro Olowu, Salon 94, NY, NY(2014); Pouring it On, Hester Gallery, University of Massachusetts, Amherst, MA(2014); Expanding the Field of Painting, curated by Anna Stothart, ICA Institute of Contemporary Art, Boston, MA(2013); Mira Dancy, Jessica Williams, and Summer Wheat, Thierry Goldberg Gallery, NY, NY, PAINT THINGS: beyond the stretcher, deCordova Sculpture Park and Museum, Lincoln, MA(2013); Paradox Maintenance Technicians: A comprehensive technical manual to contemporary painting from Los Angeles and beyond, curated by Max Presneill and Jason Ramos, Torrance Art Museum, Torrance, CA
Awards including: Artadia, NADA AWARD curated by Ian Alteveer, Associate Curator, Department of Modern and Contemporary Art at the Metropolitan Museum of Art and Amanda Hunt, Assistant Curator at the Studio Museum in Harlem, (2016); Triangle Arts Association International Residency Program, awarded one year term studio residency stipend, Brooklyn, NY(2010); BRIC Arts Media Brooklyn, Contemporary Art Center, Artist of the Month, Brooklyn, NY(2009).
Writing and Selected Press:
Passing Through, by Summer Wheat featured in art21 magazine http://blog.art21.org/2015/07/20/passing-through/#.V_G6PpMrKSM
Miller, N.H
Summer Wheat Wins 2016 NADA Artatdia Award,
Art News, 5, May 2016.
Rodney, Seph, Women Do Run This Thing,
Hyperallergic.com, 5 September, 2016.
Halpert, Juliana, Common Thread,
ArtForum.com, 23, July 2015.
Duffy, Own, Walk-In Pantry,
Art Pulse Magazine, pg 82. May 2015.
Goldrich, John, “The Painted Pantry of Vermeers Milkmaid”
Hyperallergic, 20, April 2015.
Smith, Roberta, “Clash of the Items, at a Gallery Near You”
New York Times, 24 July. 2014.
Knudsen, Steven. “Deferall of a Vanguard”
Art Pulse Magazine,NO 19, Vol 5, pgs 50-54. May 2014.
Indrisek, Scott. “NADA offers Relief from Frieze’s Market Madness”
Blouin Art Info, 5 May, 2014.
Vartanian, Hrag. “NADA NY Does it better than Ever”
Hyperallergic, 10 May, 2014.
Johnson, Ken. “Pluralism, with Bug Zappers and Doll People: A critics guide to the Best of the Lower East Side” New York Times, 3 April, 2014.
Gleisner, Jacquelyn. “Summer Wheat and her flight away from ‘Cowboy Space Gangsters’” art:21 blog, 8 April, 2013.
lives and works in Berlin and New York City
Education
1997-98 Master of Fine Arts, Goldsmiths, London
1992-96 Academy of Fine Arts Nuremberg (Master, Professor Dienst)
Prizes and Stipendium
2011 Cité Internationale des Arts, Paris
2009 Sølyst Artists in Residence Center, Jyderup, Denmark
2005 Delfina Studios, London, Kultursenat der Stadt Berlin, Berlin
2003-4 Whitney ISP Program, New York
2003 Bauhaus Kolleg, Bauhaus Stiftung, Dessau
2001-2 USA Reisestipendium, Kulturministerium des Bayrischen Staates, NY
2000 Art for Architecture Award, Royal Society of Architecture, UK
1999 Camden Art Center, Artists in Residence
1998 Nachwuchsfoerderpreis fuer Bildende Kunst, Kultusminsiterium des Bayrischen Staates, München
1997 DAAD Austauschstipendium, Goldsmiths University, London
Debütantenpreis des bayrischen Staates, Katalog remix
1995-6 Austauschstipendium der Akademie der Bildenenden Künste Nürnberg für Krakau
1993 Zweiter Preis der Danner Stiftung München
Reisestipendium der Industrie und Handelskammer Nürnberg
Solo Exhibitions/ Projects
2014
Mind The Gap, Ausstellung in der Galerie von SoundCloud, Berlin
KonKon, Alea101, Sauerbruch und Hutton Architekten, Berlin Alexanderplatz
2013
Jump Off A Table and Miss the Ground., Karen Blixen Museet, Copenhagen, DK
2012
DAS GOLD AN !, Kurz GmbH, Fürth
2009
Neue Fugen, Galerie Hollenbach, Stuttgart
2008
Alienation: Stefan Saffer, Kate MacGarry, London
About Face , kehrt Euch ! , Project Space Brunnenstrasse 22, Berlin
One Guitar, Two shoes and Countless Holes, Sloan Fine Art, New York
Unter Teppichen, Kohlenhof Kunstverein Nürnberg e.V., Nürnberg
2007
unfold, Pavel Zoubok Gallery, New York
We3, Merrill Lynch Atrium, Hopewell, New Jersey
2006
neue spielregeln- faltungen,..., Claus Semerak Galerie, Munich
New Works, Villa Grisebach Gallery, Berlin
2004
Kunst im Öffentlichen Raum, Gartenskulptur, Staatliches Hochbauamt Aschaffenburg, Aschaffenburg
Camping Berlin, Project, müllerdechiara, Berlin
Stefan Saffer, Kate MacGarry, London
1999
O.T., Gallery Koch und Kesslau, Berlin
s/w, aroma büro, Berlin
1998
Sandwich Project, curated shows in the public space, Bricklane, London
1996
Sparring, Traude Näke Gallerie, Nürnberg
1995
Triathlon, Galerie Traude Näke, Nürnberg
1994
Orangeade, Galerie Birner, Nürnberg
Group Exhibitions/ Projects
2015
Schere Schnitt Papier- Die Erzählkraft der Silhouette, Landesmuseum Burgenland, Eisenstadt, Austria
2014
ArtPark, Soho PS3 PopUp, New York
Imaginäre Reisen, Galerie Marstall, Ahrensberg
Final Cut, Horst Janssen Museum Oldenburg, Germany
2013
Just Paper, Galerie Hrobsky, Vienna, Austria
The Infinity Show, Contemporary Art Northampton, UK
2012
Imaginäre Reisen, Amerika Haus, Berlin, Germany
Color Go- Lightly… An Homage to Color, Gallery Valentine, Bridgehampton, NY
Und der Gewinner ist..., Kunstvilla, Kunsthaus,Nürnberg
2011
Drops of Green- Der Große Skulpturenpark, Deutscher Künstlerbund Projektraum, Berlin
Modified Expression, National Craft Gallery/ Kilkenny Arts Festival 2011, Kilkenny. Ireland
Built and Cut-Out Papier: Gebaut und Ausgeschnitten, Österreichisches Papier Museum Steyrermühl, Austria
2010
Über Lebenskunst,..Austertraum, Haus der Kulturen der Welt, Berlin
Not about Karen Blixen, curated by Michelle Eistrup/ Anders Juhl, Karen Blixen Museum, Copenhagen
Cut X, curated by Hans- Peter Miksch, Kunst Galerie Fürth
Mit Ecken und Kanten, curator Dr. Annette Ludwig, Städtische Museen Heilbronn
CELEBRATION!, uqbar , Project Space, Berlin
Pastiche, When a tree falls in the forest…, Sølyst Art Center, Jyderup, Denmark
On Paper, Stalke Galleri, Copenhagen, Denmark
Zeichnen, curated by Uwe Jonas, Galerie Refugim, Berlin
Painting Und, Remise Bludenz, Bludenz, Austria
2009
Zeigen, eine Audiotour, curated by Karin Sander, Temporäre Kunsthalle, Berlin
Scherenschnitte – Kontur pur, Museum Bellerive, Zürich
Lebt und arbeitet in ... , Kunsthaus, Nürnberg
Flyvefisken, Sølyst Project Space, Jyderup, Denmark
Viewing Room, curated by Jeremy Adams, Frederieke Taylor Gallery, New York
Minton's Playhouse, curated by Katharina Schlüter / Caravan Berlin, Artnews Project Space, Berlin
Cut It Out: Contemporary Papercut, The Otter Gallery, Chichester, UK and travels to Southampton City Art Gallery, Southampton UK, Maidstone Museum, Bentliff Art Gallery, Kent, UK
Lynchmob, curated by Emily Trice and Christopher David, HBC Berlin
Quietly, Luxe Gallery, New York
2008
Backstop, Galerie oqbo, Berlin
Im Gegenlicht-Scherenschnitt und Schattenbild, Museum Villa Rot, Burgrieten
After Minimalism, Wilde Gallery, Berlin
Summer Salon Part II, Sloan Fine Art, New York
Der Garten Eden, Caravan Project, curated by Katharina Schlüter, Berlin
Holland Papier Biënnale, Museum Rijswijk, Rijswijk and CODA Museum, Apeldoorn, Holland
Cantilever, Collyer Bristow Gallery, curated by Eliza Gluckman and Lucy Day, London
Dienstschluss, Ehren Prof. Rolf Gunter Dienst, Galeriehaus Defet, Nuernberg
Wunderlust: Berlin, Paul Kopeikin Gallery, Los Angeles, CA and Galerie Invaliden 1, Berlin
2007
Ex-tra, Claus Semerak Galerie, Munich
Quiet Riot, March Gallery, curated by Karolyn Hatton, New York
Berlin Flatfiles, PIEROGI Leipzig at Artnews Projects, Berlin
Beauty is in the Streets, curator Gerry Beegan, Mason Gross Galleries, Rutgers University, New Jersey, Bronx River Art Center, New York
In Context, collage + abstraction, Pavel Zoubok Gallery, New York,
Geschnitte Bilder, Delank Galerie, Cologne
2006
The Space Between, Galerie Alexandra Saheb, Berlin
MRKS & SPNCR, Delfina Gallery, Delfina Studio Trust, London
Landscape is in the eye of the beholder, Galerie Alexandra Saheb, Berlin
Crossing, organizor Christina Linden and Katharina Pilz, Viktoria Quartier, Berlin
Deutschland-Polen, Galerie Zero, Berlin
Cut, curated by Amanda Coulson, Voges + Partner Galerie, Franfurt am Main
Eigenheim, everything but the kitchen sink, curator Bernd Milla, Kunstverein Göttingen, Göttingen
Two weeks notice, curated Stefanie Sabo, RASA Gallery Hangar Space, Los Angeles, CA
Vanishing Points, curated by Francesca Piovano, Studio Space, London
Viewing Club 6, organized by David Tidball, The Umbridge Arms, London
Cluster, curated by Katie Holten, Participant Inc, New York/ Espacio El Particular Mexico City
2005
Paper Works, curated by Edzard Brahms, Villa Grisebach Galerie, Berlin
The Law of Large Numbers, curated by Milika Muritu, Cell Porjects, London
Looking at Words, The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York
A Monument for Light, Einstein Forum Potsdam
Stefan Saffer & Stephen Craig, Villa Grisebach Gallery, Berlin
www.minimuseum.org.uk, by Catherine Story, London
Okkupationen, PW & Nicoline Van Harskamp curated by Jonas & Schumacher, Neukölln, Berlin
The Shadow, curated by Christine Buhl Andersen, Vestsjællands Kunstmuseum, Sorø, Denmark
Papier=Kunst 5, curated by Elisabeth Claus, Neuer Kunstverein, Aschaffenburg
Urban Circulations, public works, curated by Judith Schwarzbart & Ute Tischler, Lichtenberg,Berlin
Portfolio Siemens, Siemens Arts Programm and Corporate Communications Siemens UK (PW)
2004
Platz Finden, public works and Peter Arlt, Linz, Austria
Newspapers, Gallery Cristinerose Josée Bienvenue, New York
New Drawing, UTS Gallery, University of Technology, Sydney, Australia
2003
Schnipseljagd – Paper Chase, müllerdechiara, Berlin
EU Trade Servcies, Bow Arts Festival, London
Paper Works, Kate MacGarry, London
America, bgf plattform, Berlin
Shadow Cabinets, public works, Kunsthalle Fridericianum, Kassel & Apex Art, New York
Dot City, Bauhaus Kolleg, Bauhaus Stiftung, Dessau
Cut Outs, Gallerie Barbara Gross, Munich
von null auf hundert, public works, curated by Bernd Milla, Deutscher Kuenstlerbund, Berlin
laufend informieren, public works, Reuter Kiez, Berlin
Parasite Paradise, Explorama, Utrecht(pulic works)
2002
Laufend informieren, an ongoing mapping & reserach project at the Reuter Kiezes, Berlin
Happy Birthday, by A.Mir at Gavin Brown´s Enterprise, New York
ufer – los, Planungsworkshop Maybachufer, im Reuter Kiez. Berlin
Strike, Wolverhampton Art Gallery, England
Mobile Porch, West Bromwhich, Birmingham, England
Architecture, Kenny Schachter Contemporary, New York USA
Fitting, art/design project with fire workers, Feuerwehr FW 10, Munich
2001
Zwischenraum II, Satellite Projects, New York
Lets Get to Work, Rosenwald Wolf Gallery & Basekamp, Philadelphia, PA
Zwischenraum, Sattelite Project, New York
Lets Get to Work, Susquehana Art Museum, Harrisburg, PA, USA
Business to Business, Rampe 003, Berlin
Finder II, concept for Mobile Porch at Bloomberg, London
Mobile Porch meets the Mannesmann, Pilot Development, Munich
WmK Mobil, Kunstprojekte Riem, Munich
SchattenRisse, Kunstbau / Lenbachhaus, Munich
if we were kings, Kulturhaus Adlershof, Berlin(curated von Ute Tischler)
2000
Mobile Porch, a multifunctional urban toy, Westway, NKAT, curated by Georgia Ward), London
Business to Business, Rampe 003, Berlin
Parking, The Northern Gallery of Contemporary Art, Sunderland, UK
Education
Hunter College, MFA, Painting, 1998
Slade School of Art, UCL, Graduate Painting Department, 1997
Brown University, BA, Visual Art, 1992
San Francisco Art Institute, Painting, Printmaking & Film Studies, 1990-91
Solo and 2 Person Exhibitions
2006 Like, with Ryan Humphrey, curator Sara Reisman, PS 122 Classroom Gallery, NY
2004 Permanent Foliage, Michael Steinberg Fine Art, New York, NY
Up and Coming, Michael Steinberg Fine Art at ARCO, Madrid, Spain
2003 Flat Garden, Galerie Michael Neff, Frankfurt, Germany
2002 White Room (Everything Must Go), White Columns, New York, NY
1993 Penn Central, Maxwell's, Hoboken, NJ
1991 Utensils, San Francisco Art Institute, San Francisco, CA
Group Exhibitions and Screenings
2014 Color Formed, curated by Jim Osman, Five Myles Gallery, Brooklyn, NY
2012 Small Sculpture (by big people), Big and Small / Casual Gallery, LIC, NY
2011 Faculty Small Works Show, Parsons, The New School for Design, NY, NY
An Exchange with Sol Lewitt, MASS MoCA, North Adams, MA
2010 Inland, Big and Small / Casual Gallery, LIC, NY (catalog)
Drawing Show, Big and Small / Casual Gallery, LIC, NY
2009 Twin/Twin III, Big and Small / Casual Gallery, LIC, NY
Faculty Small Works Show, Parsons,The New School for Design, NYC
2008 XS, part 2, curated by Elisabeth Wetterwald, Fondation Ricard, Paris, France
Faculty Small Works Show, Parsons,The New School for Design, NYC
2007 XS, curated by Elisabeth WetterwaldEspace Mica, Rennes, France
The Most Curatorial Biennial of the Universe, Apex art, New York, NY
Ornament, Bravin Lee Projects, New York, NY
Drawn In, curated by Marcy Freedman, Torance Art Museum, Torrance, CA
Rotterdam International Film Festival, Rotterdam, The Netherlands
2006 NY Experimental: Botanicals, curator Susan Agliata, The Tank, NY
Transformative, Nathan Larramendy Gallery, Ojai, CA
NeoImages Off-Axis, NeoImages, Santa Barbara, CA
Every Day Is Different, Michael Steinberg Fine Art, NY, NY
NYExperimental: Animations, curator Susan Agliata, The Tank, NY
When Artists Say We, curators A. Geyer and C. Ratemayer, Artists Space, NY
2005 Site Specifics ’05, Carriage House, Islip Art Museum, Islip NY
2004 Botany 12, Sonoma County Museum of Art, Santa Rosa, CA
FFFF, organizor Olav Westphalen, Wilkinson Gallery, London
Newpapers, Josée Bienvenue Gallery, New York, NY
Happy Medium, curated by Meghan Dailey, Clementine Gallery, NYC
World of Plants, Catharine Clark Gallery, SF, CA
Shape-Shifter, Audio Engine, New York, NY
GO!, Liquidación Total, Madrid, Spain
2003 Giverny, Salon 94, New York, NY
Hands up, Baby, Hands Up!, Oldenburger Kunstverein, Germany
Transplants, with Steve Robinson and Laura Stein, The Brewster Project, Brewster, NY
The Armory Show, Project for White Columns Gallery, New York, NY
Recession 2003 $99 Show, Cynthia Broan Gallery, New York, NY
2002 The Undertones, Ten in One Gallery, New York, NY
Bring It On… Big and Tall Casual, Brooklyn, NY
Tract: Systemic Sprawl, PlusUltra Gallery, Brooklyn, NY
2001 Some (are) Painting, John Gibson Gallery, New York, NY
World Without Ground, Chase Freedman Gallery, West Hartford, CT
2000 Painting: Sara Kane, Jackie Saccoccio, Rachel Urkowitz, Thomas Erben Gallery, NY
Funny Girls, Galerie Michael Neff, Frankfurt, Germany
Storage: Akiko Ichikawa/Rachel Urkowitz, Artists Space Independent Project (at Manhattan Mini Storage, Soho), NY, NY
1998 Escapes: MFA Thesis Show, Times Square Gallery, Hunter College, New York, NY
1997 Mandala, curated by Tamara Gayer, The Grand Ballroom, NYC
Projects/Commissions
2005- Cover art for the Journal of Experimental Medicine: 2-4/year
2000-2 Collaborator on Gowanus Canal, Dumbo Waterfront and Maspeth Holders Viewing Boxes Projects, & The Bowery Flophouse Museum, with Place in History, NY, NY
2000 Curator, with Peter Rostovsky, “Painting/Not Painting”, White Columns, NY, NY
Grants/Residencies
2007 Foreign Artist’s Studio Residency, La Generale, Paris, France
Drawing Exchange Remote Residency, curated by Marcy Friedman, Los Angeles. In conjunction with the show “Drawn In” at the Torrance Art Museum
2002 9/11 Emergency Artist’s Residency, Santa Fe Art Institute, Santa Fe, New Mexico
2001 Grant/Residency, Artists at Giverny Program, France: funded by the Versailles Foundation, New York, NY and Lawrence S. Rockefeller; administered by Arts International, New York, NY; curated by Art Production Fund, New York, NY.
1996 Boksenbaum Scholarship Study Abroad, Hunter College, CUNY
1992 Roberta Joslin Travel Grant, Brown University, Providence, RI
Publications/Lectures
2010 Inland, catalog, introduction by Kate Teale
InContext Tours, Studio tour/Artist's Talk
2009 “This”, ed. Susan Jennings, Right Brain Books (essay: Horoscopes, Art and Dreams)
2006 PS 122 Classroom Gallery Painting Series Brochure; text by Sara Reisman
Artist’s talk/Panel discussion in conjunction with “Like”
2005 Collector’s Circle, artist’s talk
Site Specifics ’05 at the Islip Art Museum: catalog, text by Karen Shaw
2003/4 Yale University Graduate School of Architecture: guest critic/visiting artist
2002 “Show Me The Monet”, article/artist’s project, Cabinet Magazine #6
2001/2 Smith College: Visiting Artist/Digital Bookmaking workshop
2002 Bennington July Program: Visiting Artist Lecture/Digital Bookmaking workshop
2000 “Diana Cooper” (review), Art&Text, February-April, 2000
“The Guerrilla Girls’ Bedside Companion to the History of Western Art” CitiSearch.com
“Lightning Field Memory Project,” Cabinet Magazine #3
TINE STEEN lives and works in Berlin
Education
1988/89 Academie de Port-Royal, Paris
1989-95 Städelschule Frankfurt am Main, Prof. Per Kirkeby, Master
1993 Erasmus Study, Academie van Beeldende Kunsten, Rotterdam
1996 Goldrausch Kunstlerinnenprojekt, Berlin
Solo Exhibitions / Projects
2015 Portrait Project, Sønderborg Kunstskole, Denmark
2014 Connective Tissue I, Funck-Raum, Berlin
2013 Social Summit- Raum, Freie Universität Berlin, me-Collerctors Room
2012 Kunstforum International, „Portrait“ Kunstraum, Barcelona
2011 Galerie Vinzenz Sala, Paris
2007 Friends, A2, Berlin
2005 Falzone Fine Art, Berlin
2004 Introspect, Galerie Francoise Heitsch, Munich
2002 Script Voisin, Galerie Koch und Kesslau, Berlin
2001 Galerie Francoise Heitsch, Munich
SoSoSo , Rampe 003, Berlin
Galerie Küniglberg, Vienna
2000 Galerie Francoise Heitsch, Munich
1998 Galerie Koch und Kesslau, Berlin
1995 Schloß Friedewald, Fulda
1994 Galerie Haus Dacheröden, Erfurt
1993 Jewish Memorial, Buchenwald,
Groupshows
2013
The Risk of Ruin Casino, Kunstraum t 27, Berlin
3 Tage Kunst, Artfair, Berlin
2011 Zartbitter, Galerie 105, Berlin
2006 don’t talk about it ... , Berlin
2002 Art Frankfurt, with Galerie Francoise Heitsch, Munich
2000 European Sculptures, Galerie Küniglberg, Vienna
Shop, Galerie Klinkhammer und Metzner, Düsseldorf
1999 Kunstverein Schwerte
1997 Goldrausch VIII, Kunstamt Kreuzber
Lives and works in New York City
EDUCATION
MFA Parsons -New School, New York, NY
BA Hobart William Smith College, Geneva, NY
SOLO EXHIBITIONS
2016 "Equisite Garden" Estia Gallery, Sag Harbor, NY
2015the MDMH project 2 (with Michael Drury), John Molloy Gallery, New York, NY
2012 "New Work" Cade Tompkins Projects, Providence, RI
2011 "Shape Shifting: Visual Labyrinths"-Gallery 151 New York, NY
2010 "The Paumanok Paintings" 4 North Main Gallery, Southampton, NY
2009 "New Work" Charles Cowles Gallery, New York, NY
2008 "Painting as Plain" Vanina Holasek Gallery, New York, NY
2006 "In the Eye" Holasek Weir Gallery, New York, NY
2005 "Paintings" Langham & Company, New York, NY
2005 "New Work" Branchville Gallery, Branchville, CT
2004 "In the Eye" McGrath Galleries, New York, NY
2004 "Watercolors" Gallery @ Sadelier, Danbury, CT
2003 "In Circles" Norwalk Community College Gallery, Norwalk, CT
"In Circles" Art Ex Gallery, The Stamford Museum, Stamford, CT
"New Work" Thirteen Gallery, Danbury, CT
GROUP EXHIBITIONS
2016 "Art in an Airstream" Cade Tompkins Projects @2016 IFDPA Print Fair, NY, NY
2016 "Savage Nature" Peter Marcelle Gallery, Southampton, NY
2016 "Sea Women" Samuel Owen Gallery, Nantucket Mass.
2016 "East End Collected" Southampton Center, Southampton, NY curated by Paton Miller
2015 "Artists We Know" Gallery 151, New York, NY
2014 "Eden" Odetta Gallery, Brooklyn, NY
2012 "Alumni Show" Parsons/New School, New York, NY
"Hybrid Explosion" Mark Humphrey Gallery, Southampton, NY
2011 "Artists Choose Artists" Parrish Art Museum, Southampton, NY
"Out of the Blue" Chautuaqua Institute, Chautauqua, NY"
"Super Nature" 4 North Main Gallery, Southampton, NY
"The Last Gesture"curated by Charles Finch-David Hall Fine Art,Wellesley,Mass.
"International Masters IV" Southern Nevada Museum of Art, Las Vegas, NV
2009 "New Selections" Elisa Tucci Contemporary, Riverdale, NY
"New Aquisitons" Scott Richards Contemporary, San Francisco, CA
2007 "Pattern vs. Decoration" Hosfelt Gallery, New York, NY
NEST Auction Emergency Arts, New York, NY
2006 Art (212) Contemporary Art Fair, Vanina Holasek Gallery, New York, NY
"Groovy/Not Groovy, First Run Productions, New York, NY
Javier Mayoral is a Spanish self-taught artist currently based in Miami, Florida. His comic-like muted colored paintings are a contemporary commentary on current events and pop culture. The imagery ranges from scantilly clad women bending over next to captions about Hollandaise sauce recipes to men playing Batman with cats on their heads.
lives and works in Berlin
1976 in Graz born
1993 Ortweinschule, Graz, Abteilung Bildhauerei
1997 Ausbildung bei einem Steinrestaurator in Wien
1999 Hochschule für angewandte Kunst, Wien, Prof. Kowanz
2005 Diplom für Transmediale Kunst mit Auszeichnung
2007 Praktikum Studio Jeppe Hein, Berlin
2009 SS/WS Assistent bei Brigitte Kowanz, Transmediale Kunst, Universitätfür Angewandte Kunst, Wien
2012Ozean, Berlin
Große Klappe, Praterstraße Berlin
2011 Max Frey – Kinetic works, Vera Cortez Art Agency, Lissabon
Max Frey – Kinetic works, Carpe Diem, Lissabon
2009 Galerie für Gegenwartskunst – Barbara Claassen-Schmal, Bremen
Lichtzeichnung und kinetische Objekte, Galerie Münsterland, Emsdetten
Max Frey-rotor d/220+floating bubbles, Vera Cortès, Art Agency, Lissabon
2008Galerie Krobath Wimmer, Wien
Neue Galerie am Landesmuseum Joanneum, Studio, Graz
2007Parrotta Contemporary Art, Berlin
2012 Artpod, zeitgenössische Kunst für Kinder, Amerika Haus, Berlin
ILOVIT, Kopenhagen Art Festival
13 artistas + 13 obras, galeria nova Ogiva, Obidos, Portugal,
2011 Struktur, Organismus, Mühldorf in der Wachau
The Way Things Move, Parkhaus Projects, Berlin
2010 Story Behold Store Betold, Kunsthistorisches Museum, Wien
Circle Works, Parkhaus Projects, Berlin
FIAT LUX, Museo de Arte Contemporáneo Gas Natural, Fenosa, Coruña
Don’t follow me, I am lost too, Gastausstellung des Centre d’Art Neuchatel, Substitut, Berlin
2009
CIRCUS HEIN in l’atelier Calder (Saché) and FRAC Orléans
Seifenblasenkunst, Phaeno, Wolfsburg
Funky Machines, Das Weiße Haus, Wien
Altitude, Galerie für Gegenwartskunst Barbara Claassen-Schmal, Bremen
2008
Open Sky, Räume jenseits ihrer Praxis, im Rahmen des Festivals Diwan/regionale 08, Schloss Kalsdorf, Ilz
2007
Vorschub, Berlin
Gott. Geld. Kunst. Kapital, WERK STADT KÜCHE Artneuland, Berlin
Parrotta Contemporary Art, Stuttgart
2006
Visum et Repertum, Stella Art Foundation, Moskau
Projektraum Viktor Bucher, Wien
Faktum, Flackturm, Wien
2005
Betonsalon Museumsquartier, MAK Stiegenhaus, Wien
The Essence, MAK Stiegenhaus, Wien
Preise/Stipendien
2011 Startstipendium des BMUKK
2008 Kunstförderungspreis der Stadt Graz
Klaus Lutz
The Caveman
"I feel how little it concerns me, everything that's called "the world," and how grand and exciting what I privately call the world is to me,"but in the end, this "individual me is only a zero" from Robert Walser, Jakob von Gunten, 1908.
Since 1993, the 63 year old Swiss artist Klaus Lutz has been in retreat, in a sense, in his "live/work cave" in New York's East Village. He's been hard at work constructing the nothing, a phrase borrowed from a 1918 text by Swiss author Robert Walser, "Der Hoehlenmensch". Translated, the title reads "The Caveman," also the title of Lutz's first solo exhibition in Berlin.
The exhibition lets us into, or perhaps rather extroverts upon us, the self-created world of a charming, introverted hermit, and simultaneously asks us to dismiss the meaning of this world, or at least to let it rest. As Walser phrased it in "Der Hoehlenmensch", "The difficult questions we would like to resolve themselves. Therefore, for the time being, we'd better leave them neatly unanswered." With a 16mm Rolex camera, the artist has filmed his own drawings, and by means of double exposure has inserted his own image within the drawings, interacting with the calligraphic, repetitious icons he created with his pen. Shot on black and white Plus-X reversal film, the resulting projections manage to increase the contrast of his completely black, white, and red live-in studio/cave within the contained space of the projection frame. The entire work is created alone, but images snapped up on bicycle rides through New York as well as from aerial shots of the city interact with the scenes created in his small studio. As the artist articulates, "Orbit" and "Underground" appear woven together like two voices, soprano and bass. Each voice believes itself to be autonomous but it isn't."
The films "The Caveman" and "Star News" will be projected onto two large weather balloons, and acccompanied by a series of drawings from the films in white liquid chalk onto black plastic paper. Lutz has designed a special pulley-system for the film to travel across the room. The artist will be present for the entirety of the exhibition and will present "The Caveman" as a performance on the 2nd of October at 7pm.
Klaus Lutz is born in St.Gallen (Switzerland) and is currently living and working inNew York since 1993. He has been making films and performing for the last decade, recently exhibiting at SMART Project Space in Amsterdam, Helmhaus in Zurich and at the Swiss Institute in New York.
September 27 - November 9, 2003
Klaus Lutz
The Caveman
Seit 1993 lebt der 63jährige Schweizer Klaus Lutz in einer Art Klausur in seiner Wohn-Arbeits-Höhle im New Yorker East-Village. Er arbeitet ausschliesslich daran das "Nichts" zu ergründen, ein Terminus, der dem 1918 entstandenen Text "Der Höhlenmensch" des Schweizer Autors Robert Walser entliehen ist. Übersetzt ins Englische lautet so auch der Titel von Klaus Lutz erster Einzelausstellung in Berlin: "The Caveman".
Die Installation gibt uns Zugang zu einer von Klaus Lutz selbsterfundenen, geheimnisvollen Welt, die in voller Introvertiertheit in seinem Studio entstanden ist. Die Bedeutung dieser kleinen Welt bleibt im Unklaren und eine komplette Aufklärung ihrer Mechanismen ist von Lutz nicht vorgesehen. Ganz so wie Walser es in "Der Höhlenmensch" schrieb: "Immerzu stellen wir uns an, die schwierigen Fragen des Lebens zu beantworten. Besser aber ist es, sie für die Zeit unseres Lebens unbeantwortet zu lassen!"
Lutz filmt mit einer 16mm Rolex Kamera seine eigenen Zeichnungen. Mittels einer Doppelbelichtung fügt er Aufnahmen von seiner eigenen Person, verkleidet als "Caveman" ein. Der "Caveman" kämpft, folgt oder umringt sodann verschiedene sich wiederholende Gegenstände, die er selbst mit dem Bleistift gezeichnet hat. Die Projektionen der Schwarz-Weiss Plus-X reversal-Filme erscheinen durch die Doppelbelichtung mit den schwarzen, weissen und roten Gegenständen in einem starken Kontrast, wobei die Wohn-Arbeits-Höhle wie der Projektionsrahmen wirkt. Klaus Lutz hat die gesamten Aufnahmen selbst getätigt. Einige der Aufnahmen hat er bei Fahrradfahrten durch New York oder auch aus der Luft aufgenommen, die dann wiederum mit den Aufnahmen aus dem Studio zusammengefügt werden. Der Künstler sieht "Orbit" und "Untergrund" zusammengewoben wie zwei Stimmen, wie Sopran und Bass. Jede der Stimmen glaubt autonom zu sein, aber ist es in Wirklichkeit nicht. Die Filme "The Caveman" und "Star News" werden auf zwei grosse Luftballons projiziert. Lutz hat ein spezielles Transportsystem entwickelt auf dem die Projektionen durch den Ausstellungsraum reisen können. Einige Zeichnungen, die den Filmen zugrunde lagen, werden ebenfalls gezeigt. Der Künstler wird während der gesamten Ausstellungszeit anwesend sein. Klaus Lutz wird eine Performance zu "The Caveman" am 2. Oktober um 19.00 Uhr in der Galerie durchführen.
Klaus Lutz wurde in St. Gallen/Schweiz geboren und lebt und arbeitet in New York seit 1993. Er arbeitet seit über zehn Jahren mit dem Medium Film Performance. Jüngst wurden Ausstellungen von ihm im SMART Project Space in Amsterdam, im Helmhaus in Zürich und im Swiss Institut in New York gezeigt.
Ausstellungsdauer: 27.9. - 9.11.2003
Oeffnungszeiten: Di-Sa 12 - 19 Uhr
Galerie müllerdechiara
Weydingerstr. 10 (Rosa-Luxemburg-Platz)
D-10179 Berlin
Telefon +49 30-390 320-40
Fax +49 30-390 320-44
E-Mail office@mullerdechiara.com
www.mullerdechiara.com
Artist for Rent Project
Artist for rent. You can rent me. Free of charge. photos: Kuba Dąbrowski, John Hartley and Matthieu Bless, Matthew Cornford, Alex Döring, Mariola Groener, David Hatcher, Joanna Rajkowska, Christof Salzmann, Kerstin Schroth, Gabriele Stellbaum, Marek Szczepański, Stefan Saffer, Ioana Veleanu Song: Ania Gniadek help in translation: Krzysztof Kościuczuk, Warren Niesłuchowski, Andrew Dixon The project came about in answer to a proposal from the Müllerdechiara gallery in Berlin, which invited me to the Let the artist live program in 2003. A year later, while participating in the Łódź Biennale, the second, Polish part of the project was created. I was an artist for rent, anyone who wanted to, could contact me and ask to perform some task (within reason). Sex and violence were off-limits. People asked me for different things. I drew political cartoons for an anti-globalist organisation, designed a birthday invitation, decorated a house for a farewell party, supported a blood donation programme, helped at a photo shoot, accompanied a traveler to the airport and reinstalled a door, upside down, to change the bad memories of the bedroom to which it led. A photographic record of these Twenty-Two Tasks became the basis of a sort of collection of stories about the project, in which the written word is as important as the image. A show of slides, sort of a silent film was produced, telling the stories of meeting the people who responded to my idea. The narration portrays the tension caused by meeting someone accidental, creating a realm of contact, sometimes misunderstanding. Each of these stories is a small project unto itself, its' authors are the people who took part in the project. I left the viewer uncertain as to the purpose of these actions; it seems the only reason behind them is spending a couple of hours together in a tense relation that arises between people, and the project merely a pretext for this meeting.
mullerdechiara is pleased to announce the first solo exhibition in Berlin for the artist, Eva-Maria Wilde.
The exhibition will take shape as an abstracted, urban landscape, as Wilde transforms the space with colorful tower-sculptures and wall-paintings. Eva-Maria Wilde's works manifest themselves through a series of abstractions - creating impressive geometric and architectonic forms through which the observer is invited to walk and explore.
Employing the methods of minimalist sculpture and a careful, almost formalist commanding of color, Wilde creates bewildering environments that conjure the menacing skyscrapers and flashing billboards of East-Asian metropolises.
The photographs taken during Wilde's travels through various Metropolises around the world, represents a comprehensive working-archive. The Berlin-based artist is interested in the shell of urbanism and the way this shell shapes and manipulates the space through which we move. She is fascinated by the way buildings interact with each other, and how - through a mixture of reflections and distorted perspectives - individual forms of clustered skyscrapers are blurred and become almost indistinguishable.
Wilde's paintings demonstrate this fragmented visual experience of the regimented lines of modern architectural forms. Through many alterations, Wilde's architectural photography rematerializes as multi-layered abstractions, while managing to escape the cold and distanced cliché of urban forms.
Through a variety of means, Wilde transforms the inscrutable urban landscape into intimately tactile forms and objects. Wilde's sensitivity to the "human-scale" is apparent in her tower-sculptures and wall drawings. Her works evoke a sort of collage with the layering of tapes, photographs, mirrors and paint - all providing for a beautiful interaction between color, texture and form.
We are also pleased to announce that Eva-Maria Wilde will be represented in the group exhibition "Contemporary Art from Germany" organized by the European Central Bank (EZB). The exhibition will open on the 16th of June, 2004 in Frankfurt am Main.
June 10 - August 10, 2004
